#there’s a lot of backstory for this……

[weirdly-specific-but-ok]

Luke my darling I came to your blog to spam poetry in your ask box and instead I get greeted by this fucking acid trip what the FUCK is this AND WHY DOES TUMBLR KEEP DOING THIS TO PEOPLE THIS GIVES ME NOT KNOWING WHO DAVID TENNANT WAS IN JAN

I made an Hall of the mountain king edit in honor of this batshit insane post (for which i may or may not be partially responsible, too) by @one-time-i-dreamt, enjoy :)

[rpgchoices]

Rook trying to learn about the companions' backstories and personalities like -

[bayetea]

there are many things about hazel's povs that have an intensely de-racialized vibe to them (read: divorced from the black girl experience) but I think any black person will tell you that the most obvious sign is the complete lack of attention paid to her hair

like firstly:

she's from the 1930s her hair was definitely getting permed and straightened (it was not acceptable to just wear your natural hair out back then. optics + cultural assimilation/you'll be hard pressed to find photos of black american girls with unstraightened hair in that time period unless they're from like..... harlem)

I do believe that marie was straightening it for her For A Time but then she became more neglectful and stopped so hazel had to do it herself. I'm almost positive that hazel wouldn't have even been permitted to set foot in her school building without straightening it because that's just how much of an expectation it was

ok she comes back from the dead. what's she doing to her hair now bc it's not just gonna be cutesy effortless curls falling over her shoulder no matter what the length is

how does she feel about living in a time period where natural black hair is more accepted (read: more, absolutely not fully)

there are no black people around her At All. in fact she's around a lot of white people on the argo (+nico) so that would probably be giving her some intense feelings of double consciousness (look this term up if you don't know what it means) and that would inform how she feels about her hair

theoretically she ought to be wearing her hair in braids for simplicity's sake but I think it's more likely that she would cling to what she knows (perming/straightening) because it's not easy for a 14 year old girl (PSA hazel is 14.5 in hoo not 13 btw 👍) to go from assimilating to deeply-ingrained white hair beauty standards to just proudly wearing a distinctly black hairstyle all by herself

mind you black women and girls can do whatever they want with their hair and straightening/perming it does not always/have to come from a place of self-hatred or whatever but in this particular case back then straightening one's hair was political And a survival tactic. it was as normal as brushing your teeth. it was enforced through dominant cultural messagings about the Absolute Necessity of conforming to white conventions of beauty. if you don't understand then think of it similarly to how you'd think of 1930s women needing to be perpetually dolled up and modestly dressed in order to be considered "good women" and anyways I'm just saying that this would be a lot to unpack for a 14 year old girl so hazel's probably just continuing to do this impractical thing (straightening her hair all the time) like 60% out of habit and 20% out of shame and 20% she doesn't know what else to do

something something about a missed potential character arc regarding all of this and in general there's so little mind paid to race in hazel's povs which is just ridiculous to me because a black girl from the jim crow era should have at least a few feelings about where she fits into modern society even if that society is camp jupiter. rick demonstrates his capacity to talk about how his characters feel about their race most notably in the kane chronicles so I don't think was too much to ask for. see this quote from an early son of neptune chapter:

^ like....... hazel's feelings of out-of-place-ness are There in the text and important to take note of when understanding her character (note that she's been there for like a year already and she still feels like she doesn't belong) but the emphasis is always put on her Being from a different time or Being undead and is never put on her out-of-place-ness regarding her race as a black girl from segregation times who is literally so out-of-place in this weird post-racial camp jupiter society. it feels like such an obvious thing to consider so its glaring absence really bugs me when I reread her povs and it bugs me when her hair is never talked about by extension because It Matters

you might be thinking "well she had a lot going on and she's not a superficial person maybe she just didn't care what was going on with her hair" and my response is simply that Black girls don't get to "not care" about their hair it is not the same thing as a white person going to school with bedhead it's not the same thing At All (if you aren't black then chances are you've never actually seen what untouched black hair looks like in the morning), especially when it's been beaten into your head for your entire life that your hair is ugly and you have to "do something to it" for it to be acceptable (and again...... she's from the 1930s so that feeling is magnified like 50x over). remember that perpetually dolled up modest 1930s woman I mentioned previously. picture her time traveling to camp jupiter of all places in 2010 and struggling to drop all of her makeup/hairstyling routines and internalized misogyny and conceptualizations of what women are "supposed" to be. this is the kind of fascinating character exploration that we really missed out on with hazel (and tbh regardless of her race she was never believably written as someone from the 1930s. I don't think rick even really tried to be honest)

you might also be wondering "how was rick supposed to know/attempt to portray any of that" and then my second answer is that If you're going to write a character who is not the same race as you then you should do some research and we have the internet now so research has never been easier 👍 this would be especially important to do if that person is a poc from the jim crow era I think! (he could have at least googled black hair 1930s)

anyways what I choose to believe (this is pure fanfiction) is that during hazel's first year at camp jupiter (remember that she was there for about a year before son started) nico would have helped her figure something out after observing her distress over her hair c: like they both secretly watched youtube videos on black hairstyles circa 2010 and then they got attacked by monsters for using a laptop (neither of them know how to use a laptop but he's trying his best for her) but then after killing them he helped her do her hair as something she likes that is easy to maintain <3 (I could also see reyna doing this because she surely knows a thing or two from her spa days)

[demilypyro]

I dunno, I don't have much to say about most of them. The character writing is... I wanna say it's a bit inconsistent?

Vi and Jinx are supposed to be the main characters but I actually kinda think they're the least interesting ones from a writing perspective. Vi is a pretty flat "punch my problems until they go away" protagonist without much depth to speak of.

And Jinx.... by the third time they made her do crazy eyes and drew a bunch of shit on the camera I was getting pretty tired of her shtick, honestly. They seem to make her randomly act exactly as sane or insane as the plot needs her to be, which makes the story feel like a bit of an idiot plot, in that the conflict would just be over if Jinx acted rationally for 3 scenes in a row. Not my favorite depiction of mental illness! Kinda rough.

Jayce and Caitlyn are pretty fun. They're both sheltered dumbasses messing with things they don't understand, but Cait at least goes out and sees what the Undercity is like. That said, she's a bit too trigger-happy for me. But that's why she's a cop, right. Jayce's idealism clashes with his bigotry in ways that make him pretty unlikeable in the back half of the show, but he serves his function well as a character that moves the plot forward at a steady pace.

Mel was a character I couldn't figure out for most of the show. She seemed like the sly manipulator type, but I wasn't sure what her angle was, if she wanted control of the council through Jayce, or what. Eventually I gathered that she's... mostly just a decent person who wants what's best for everyone. Which ironically made her less interesting in my eyes.

Heimerdinger and Ekko stand out as two characters I'd like to see a lot more of in season 2. Their roles in season 1 were somewhat minor, but teaming them up at the end was something I didn't see coming, and find very interesting. They're both essentially the "cool head" of their faction, so they mesh well.

Silco is.... fine? I was waiting for the eventual backstory episode that explained... anything about this guy. About his eye, about his history with Vander, anything. But nope. I feel like I don't understand his motivations as well as I want to. His love for Jinx seems genuine, which I wasn't expecting. He's mostly extremely competent... but he seems to slip up in ways that mostly just happen to be convenient for the story to happen the way it needs to. Again, bit of an idiot plot.

I dunno. Season 2 will prolly be fun.

[twilightkitkat]

I feel like Logan is oftentimes written as a character who wants a large amount of distance and space in a relationship but I think that wouldn't really be the case. Obviously he can't be around anyone every waking hour of the day and he's his own person, but I'm convinced he'd be clingy once he got into a relationship. He knows to function on his own, he knows he can go through the motions but he just... doesn't want to.

One of the main arguments I see for him wanting a lot of space is that he has an eternity to live so he doesn't feel constrained on time when it comes to Wade, who's also immortal like him. And yes, that's true, but I raise you this: he's already had 200 years without him. He's had time to do all the things he wanted to (and didn't want to) do alone—he's traveled to different countries, explored his own origins and backstory, learned about different people and places. And sometimes he enjoyed it, even if most of the time he was desperate and angry and isolated from the world.

He already spent enough time being alone that he knows how it feels. He got it out of his system. He was forced to be alone for so long that he almost forgot what it was like to have a companion, let alone someone like Wade. Someone he genuinely connected to for the first time, who understood him and wanted him.

Logan knows what it's like to be alone. He lived through it almost every day of his hellish life in one way or another. He's tired of it, now. He had 200 fucking years to stew in his own company, 3 times longer than most humans even lived.

But this? The feeling of curling next to someone and feeling their warmth? Burrowing so close you can hear their heartbeat? Waking up next to Wade and seeing his bleary-eyed smile? Fighting next to him, trusting someone to watch his back? Waking up from a nightmare and being held and comforted by someone who understands him?

It's so much better than anything he could've imagined. Why would he ever go back to how things were before, when he knows what it feels like to be next to Wade and be loved just for existing? (How could he go back to being alone after finally tasting happiness?)

He'd want to savor it. To lean into the relationship hard and memorize all of Wade's little habits and routine and quirks. He'd be clingy, letting himself demand affection and attention because he knows he can get it. And he's been starved of it for so long.

He knows he could leave, if he wanted to. That he could go out on his own for a while, back out into the cold. But why would he voluntarily do that when he has a perfectly nice fireplace to keep himself warm? If he really wanted to go out to marvel at the snow, now he could bring someone with him and share that joy together. What could be better?

[autisticrosewilson]

so I’m not a fan of Talia (this is important to my ask) but i see a lot of Talia fans. and i really want to ask, without anyone getting angry, why people are fans of her with her history?

the main things i know about her are how she drugged Bruce to make Damian in Batman and Son, and her relationship with Nyssa in Death and The Maidens.

is there more to it? i don’t want to explore on my own if its just that it’s never explained, is there an arc to reference or anything?

That arc is actually retconned because Grant Morrison admitted that it was racist characterization.

Talia had 30 years of characterization before Damian needed a sad backstory. She WASN'T raised as an assassin, she was studying to be a doctor when her and Bruce met. Because she was invented in the 70's she was modeled more after your typical bond girl, and leaned more towards spy than assassin. She hated killing and felt immense guilt the few times she had to.

Her and Bruce loved each other deeply, but Talia also loved her father. Ra's tends to get sanded down to "insane, cruel, and needlessly violent", but the whole point of the league is preserving the environment and endangered species. Talia agrees with his goal, but not his methods and this conflict is what allows Bruce to come between them.

For a lot of her history her main conflict is between the man she loves and the man who raised her, which changes in Damian's ORIGINAL origin, Son of the Demon. Bruce enthusiastically consents and is excited to have a baby with Talia, but Talia realizes that Bruce will never give up Batman and that whether she raises the child herself or gives him to Bruce he'll never get to have a normal life. So she tells Bruce she lost the baby and gives up Damian for adoption in secret.

The next big change in her character happens in JLA: Tower of Babel, explicitly said to be the FIRST time she's ever helped her father with one of his big schemes and she hates it. This marks her breaking point as she ditches Ra's entirely. This leads into President Luthor Secret Files where she takes over Lex Corp and GUTS it. Naturally Clark is suspicious of her, but she continues to help Bruce.

Then, Death and The Maidens happens. Talia is tortured and brainwashed. Batman, supposedly the world's greatest detective, explicitly said to LOVE Talia, sees this extreme shift in loyalties and behaviour, and leaves. Either not noticing or not caring. There is no resolution to this plotline.

Damian's nonconsensual origin follows this up on the basis that Talia's character after she's been brainwashed is just, who she is and who she's always been. Unfortunately it became her most popular story, and even though it's no longer canon it's done UNTOLD damage to her character.

Talia is so deeply compassionate and she cares so much for everyone and everything. She's endearing and she's insanely competent and her moments with Bruce are some of the most genuinely heart wrenching I've ever read. Batman Chronicles #8 continues to be one of my favorite comics EVER. I highly recommend you read her 70's-90's comics.

[charcubed]

I have soooooo much I want to write about Doctor Odyssey and if I keep waiting for the perfect moment to write something PROPERLY GOOD AND COMPREHENSIVE then I’m simply going to explode. So instead I’m going to write a messy little post on my phone when half asleep and try to keep it to one main topic.

Yeah yeah the throuple had a threesome (and I’m foaming at the mouth over it) but can we talk about the THEMES!!!!

This show is for crazy people (me specifically). Once again, I have a lot to say, but for now let me just focus on the wedding episode itself. That threesome is informed by the context of the rest of the episode in a way I simply CANNOT get over.

Let’s look at our passengers: the bride, groom, and best man. We find out all of them are being unfaithful to each other in various ways, miserable in their silence and unhealthy relationship dynamics. They all went to school together and were once close, but things went wrong somewhere along the way. The best man’s speech implies he has feelings for the groom, the groom is a sex addict who’s had multiple partners (possibly the best man included) because he feels trapped in a lie, and the bride and best man are having sex with each other. And none of them are communicating about it, and the groom who had preexisting mental health struggles commits suicide.

What happens to the three of them is a tragedy and it is absolutely a result of heteronormative monogamous culture. That culture was passed down from the bride’s mother to her too by example and societal influence.

I’m not exaggerating. It’s not subtle!!! At all!!! Everything explodes for those passengers because monogamy and repressing bisexuality wasn’t working for them.

They’re a dark mirror and cautionary tale. (Bonus points for how Avery’s sad backstory is that she was betrayed by her longtime friend / brief husband who cheated on her with a mutual friend as well, which is why she’s definitely hesitant about love now.)

By comparison, Avery and Max and Tristan have been avoiding some similar big pitfalls: they know they’re into each other and it’s not a secret, rivalries keep being squashed with effort, and no one is pressuring anyone to choose (so far).

This is what our beloved main characters have on their minds before what follows. And again, let’s not even get to the sex part yet… THE BUCKET LISTS!!! I’m losing my Goddamn marbles!!! The way all 3 of their lists intersect? Holy shit. Off the top of my head: Max and Tristan want to fall in love and have kids, Avery and Max want to see the world, Tristan and Avery have niche interests outside of medicine that they want to explore more… We were given itemized lists to show how the 3 of them balance and round each other out perfectly.

It’s not about any 2 of them because it won’t work with just any 2. It’s ALL THREE — just like all the framing and blocking of shots is consistently all 3, they walked down the wedding aisle all 3 together, the first sex scene for any of them that WE as the audience see on screen is all 3 of them together, a “bad threesome” is defined as 2 people getting too wrapped up in each other and the 3rd being an accidental outsider, we often see that if one duo gets a couple-y moment then the other duos get similar moments later as well, etc etc. Sorry. Let me not continue the summary list here and now so I don’t get too sidetracked but there’s A LOT.

But like, my current point? That wedding episode is a goldmine and the threesome explicitly happening doesn’t exist in a vacuum. Far from it. The themes are themeing in the whole show, of course, which is part of what I want to write about elsewhere at some point too: this show is repeatedly very deliberate about making sure heterosexuality or monogamy aren’t framed as the default or only correct options, and queerness is sprinkled everywhere. But this wedding episode specifically… the themes were nearly the ONLY PLOT. Nothing else — it’s basically only that, and it’s very focused. The failures of monogamy are on full display. And that’s why and how we get an explicit threesome right after it, which will lead us into how things will continue to develop for our trio.

Now, as for why the threesome happens so relatively quickly? My hot take on that is that general audiences can be stupid and so the creators wanted to put the throuple explicitly on screen fairly early to get people to start Noticing. Show them how the characters need to be together… and that sets us up for the possible angst and tension to follow as they have to accept it emotionally for themselves too. Now, as an audience member, you’ll more strongly know what to root for. You’ll know what’s right because you’ve seen it and you’ll want them to get back to that place, come what may. (If you’re not a puritan.)

It’s so fucking good. Insane silly show for insane people. Are we seeing the vision??? I need everyone to lock in.

This ramble is probably a disaster and I apologize for that but ohhhh man I had to put SOME words down so I wouldn’t explode. Suffice it to say I’m having a ball up in this bitch and I cannot believe this show exists. I couldn’t believe my eyes and my brain cells in the pilot, and I REALLY can’t believe them now.

What a time to be alive!!!!!! Polycule “love fest” on a cruise ship, baby!!! The world needs more love, all kinds of love, as the Captain says!!!! Onward to gay week!!!! LET’S SEE THOSE BI MEN KISS

[maraampora]

I DO have to come in as a person that sees both sides. Yes, comedy was always the core of the game, but the game was still darkER than it is now.

Crows are not buying children in brothels anymore, they are now a found family that supports orphans.

Dalish now accept qunaris into Veil jumpers ans are trusting to Rook no matter who they are.

I LOVE LOVE LOVE the nonbinary representation as a nonbinary person myself however....they could've used a different word. It sounds out of place.

A lot of things like this just make the game less dark. More friendly. And while I do need a light spot in my life it's almost as if previous ones did not exist and previous, darker lore is being hidden under the rug. The one in the background, in the backstories and papers.

D'meta nad blight are dark, it doesn't mean that we should overlook other places that got lighter out of nowhere.

[explaintome]

Dear Mouthwashing fandom, explain to me, why next to the incredible fan art, I find a fuck ton of shipping content, especially between characters where this is highly problematic? SPOILERS FOR MOUTHWASHING AHEAD CN for talk about sexual abuse, death, suicide & violence

DISCLAIMER: I do not shame the general practice of shipping at all. I am a shipper myself and I think it makes up for a lot of interesting dynamics and narratives outside the canon. Shipping is an important pillar of fandom communities and I am unable to forbid you to do it. HOWEVER, in the case of Mouthwashing I want to talk about what, in my opinion, feels tone-deaf to the themes and the canon of the game. But let me start with a short summary of the game before I get into it.

Mouthwashing is basically a visual novel that takes place on the Tulpar, the last manned cargo ship of the company Pony Express. The crew, consisting of Caption Curly, Co-Captain Jimmy, Nurse Anya, Mechanic Swansea and his intern Daisuke, is confronted with a crash against an asteroid and the consequences following it. The story is told out of order to reveal the truth bit by bit. What caused the crash, what happened and how the crew deals with the time afterward being stuck on the ship. Revealing sexual abuse, tragic backstories, the horrible side effects of late state capitalism and the neglect of people in command towards the people they are responsible for.

To boil it down we have two men who, out of societal misogyny, hurt the only woman on their crew by assaulting her or not acting as they should have in their position of responsibility. All of this would not have happened if Jimmy didn't rape Anya and impregnate her, and if Curly had disciplined Jimmy in a capacity possible on the ship and in Jimmy's position as co-pilot. To be honest, with the amount of automatization the ship has, I don't think they need Jimmy if it is not a case of emergency, but I digress. Jimmy is the perpetrator of the story, but Curly is an accomplice in putting his aim of finding a solution and compromise over punishing his subordinate as he should have.

And now to my actual point: I am a big fan of the game, the narration style and the utter tragedy of 5 people losing their lives in the isolation of space, with their company not giving a shit about them. Otherwise, they might have been rescued much earlier or at all. Or had enough cryo pots in the first place. Or a nurse with experience. Or any amount of better equipment and not the most cheap shit that somehow made it through a resemblance of regulations. There are probably no regulations.

Being a fan I, of course, looked into the hashtags on several social media sites, and between the incredible art and analysis of the game, I quickly found shipping content, and I have no idea why. I have literally no idea how that narrative speaks to you in a way of shipping characters romantically/sexually. Especially three shippings really rub me the wrong way.

ANYA/JIMMY

Are you fucking kidding me? Literally, what is wrong with you shipping a victim with their abuser? There was not one interaction between them, that suggest that there was consent or affection, that Jimmy has any sympathy for Anya. He knows what is going on, he knows that Anya is pregnant and takes no responsibility. Even worse, his idea of FIXING this was to kill everyone, at least himself, to avoid responsibility! Same goes for AUs where she kept the baby and is somehow okay and happy? I get the urge to fix it, but that is not a good fix. There is no good fix if you are pregnant due to rape.

ANYA/CURLY

A lot of argument I hear for that is that "at least Curly is her friend and was nice to her" and if that is your whole foundation of argument, I want to ask what your standards for a relationship are. Please know that you deserve more than the bare minimum. Another question in that context: Is Curly really Anya's friend? His friend was abused and instead of protecting her, he tried to reason and help her abuser! That is not the behavior of a friend! There is no "but Jimmy is his friend too!". If your friend is an abuser and that does not make you stop being their friend....why?

JIMMY/CURLY

It feels like it is a law on the internet, that two men who look at least averagely handsome will be shipped, especially if they have the tiniest of connection to each other. I am not even sure if I would call them friends in the first place. It appears that Jimmy, whatever his bad life before that job was (thanks to the developers for not giving us a backstory), he is still absolutely unsatisfied with that he has. He is jealous of Curly and his position, seeing how quickly he takes on the Captain title after the crash and only realizes far too late how hard the position actually is. Curly on the other hand feels a bit like a people pleaser to me. He probably had pity for Jimmy, took him under his wing to help him? Fix him? Whatever it is, it made him ignore Jimmy's bad side to a fatal degree. I respect the toxic yaoi but are you sure?

TLDR; I am worried about how the practice of shipping developed, from a way to extend the canon, explore queerness in cis/straight dominated media, into a compulsion of where some people can't look at any form of media or constellation of characters without immediately smashing them together like dolls. If you do this, maybe step back for a minute and ask yourself if it is appropriate. On that note, same goes in case you defend Jimmy. Why?

[orbch]

so, do I look like her?

okay this is either true and understandable, insane, or like “um theres a w2h blog ask already talking about this” so let me tread lightly [full analysis under cut so i don’t scare people with a wall of text.. but like PLEASE READ!]

i feel like jonathan and jojo being the people sock has the closest relationships with (jojo being one of (if not literally) his only friend/s growing up, and jonathan being one of his only connections post death other than, well, his employer LOL) is crazy, especially since they are SO SIMILAR! … IN MY EYES!

like visually? yeah, blond hair, blue eyes, white undershirt in primary design, both kind of a symmetry w/ jonathans middle part and jojo’s pigtails.

their names? both Jo- names, WITH N’s, an account of jojo’s full firstname being joane. [jonathan and joane? that had to be on purpose like come ON!] And their personalities, while definitely different (jonathans described as apathetic, and well, jojo cares very violently about a lot of things) they both are tough to break into, kinda making it hard for anyone to connect positively w/ them on a deeper level

idk, maybe it was very on purpose to give sock a past relationship where he mightve* accidentally had a direct connection to their death, and a new relationship where he has to purposefully have an indirect connection to their death. like DAMN! maybe this is socks eternal punishment, cause id go crazy..

(* emphasis on mightve because im pretty sure sock and jojos full backstory isnt set in stone, but @/welcometohellfilm has talked about possibilities of sock being indirectly linked to jojos death, or setting off a chain of events to cause it unknowingly, in the past. which i thought was interesting!!!)

[sidewalk-cracks]

In the wake of hearing that DC is making a Dick Grayson and Jason Todd movie and that they're supposedly gonna be screwing up Dick and Jason's backstories, I started thinking about what kind of Nightwing & Red Hood movie I would want to see, in addition to what kind of batfam movies in general I would want to see. I offer for consideration:

Nightwing and Red Hood: Last Defenders. While on patrol, Nightwing stumbles upon the hints of a truly diabolical plot taking shape to topple not just Gotham, but possibly the entire planet while the majority of Earth's heroes are presently indisposed, including most of the batfam. Batman and most of the JL are off world, the Titans are tied up, even Alfred's away, etc- leaving Nightwing and Red Hood as the only two people left to defend Gotham. This is set in a world sometime after UtRH; Jason's identity has been revealed, and he has an uneasy truce settled with the Bats ("you don't bother me, I don't bother you"). The movie follows them through their journey as Dick tries to convince Jason to work with him, they narrowly escape lots of explosions, and argue about Dick's failings as a brother and everything Jason has done since coming back. It all culminates in an epic 2v1 battle with the Big Bad and resolves with them saving the day and coming to an emotional understanding- a hopeful ending, looking towards a future in which Jason might be able to improve his standing with the Bats. BONUS END CREDITS SCENE: Bruce arrives home to a quiet manor. He goes to the kitchen and makes some tea. Goes to the den, and draws up short in the doorway. Dick and Jason are sprawled across the couch, half on top of each other, dead asleep. The credits of a movie are scrolling on the TV. Bruce buffers for a moment, before smiling and deftly whipping out his phone and snapping several pictures. Then he turns off the TV, drapes a blanket over them, and kisses both of them on the forehead.

The Waynes in: Mission Impossible. Bruce and his sons must attend the fancy gala of Evil Rich Man, and foil his diabolical supervillain plot while undercover as the Wayne family. Ideally, without ruining the gala. (Spoiler: they ruin the gala). This is firmly an action comedy, with maybe some sprinkles of family angst thrown in. Otherwise, though, this movie includes a gratuitous amount of puns, the Wayne Men in really sharp tuxes, Jason blowing up several things, Tim and Bruce holding the only braincells in the operation, Jason losing his suit jacket and tie 5 minutes into the gala, and Bruce being Tired. At a later point in the mission they need a distraction, and without hesitation Damian whips around and punches Tim in the face. They proceed to have a very loud and explosive fistfight. Tim YEETS Damian into the dessert table. Bruce groans into his hands.

The Battle of Wayne Manor. Dick, Jason, and Alfred are the only ones home to defend the Manor against a dangerous team of superhuman home invaders, Home Alone style. As soon as the three of them are aware of the situation, Alfred marches over to a panel in the wall, opens up a secret compartment, and pulls out an AK-47. "I have not spent three-fourths of my life at this Manor for a group of brutish, arrogant thugs to think they can just waltz in and lay claim to the place. As you like to say, Master Jason- let's light em up, boys." This can be a serious film or another action comedy. It's pretty much just Home Alone with some guns thrown in. They blind the invaders with several disgustingly bright glitter bombs and then Alfred whips out from behind a corner with his rifle, they've got booby traps on all the staircases, Jason's throwing pies at people, etc. The most important detail is that they successfully defend their home as civilians. No use of vigilante skills whatsoever. The news are baffled and the boys cheekily only comment that Home Alone is a cherished childhood film in their household. This plot could be edited to include Tim, Damian, and even Bruce as well, I just initially thought of it as just Dick, Jason, and Alfred.

[tench]

Veilguard is such a weird game.

It's not a Dragon age game, it's bately a role playing game. It's an ok action. Even though it is the most stable AAA release it is still just a bunch of barely tied together stuff in a trench coat.

The writing (insultingly dumbed down and absolutely incapable of taking itself seriously untill the last 1/6 of the game) is all over the place, the direction is nonexistent judging by the tonal shift from one quest to another. We can have very heart felt monologue about the fear of death sit right next to a conversation where a lot of things are told using one specific phrase (I really hope in a clumsy attempt at emphasis) repeated till these words lose any meaning to you.

There's also a problem of role-playing in this "rpg" and the Rook. None of your dialogue choices matter in terms of defining your character, no matter the option you choose, the general conversation will carry the upbeat silly tone. "Your backstory and class matter more than your race" works untill it doesn't, like when you are a dwarf but you are denied your own journey and realizations tied to the titans, and maybe it is not your journey to take yet you can't even try to be a part of it, even when Harding is actively reaching out to other dwarves to share this connection. It's also weirdly more interested in writing romance between npcs than for the main character (Lucanis comes to mind, it feels like the game is actively punishing you for pursuing him, you have to lose the whole shadow dragon faction, you won't get to hang out with Dorian and still you have bare minimum and he more interested in Neve anyway), that's extremely funny that this game is player-sexual yet completely player-aromantic. (And I miss the dai option where you can come up and kiss your LI whenever you feel like it).

I won't even touch on the weird and unnecessary sanitation of everything, like we can't allow people or factions to have negative traits whatsoever. And it's not "southern propaganda", it's "we are not engaging with complex topics for the sake of clear dichotomy between good us and evil overlords". Speaking of which

The whole plot.. The general idea of it is ok. You come to stop Solas, you make the situation go sideways, you have to work together to fix your mistakes and maybe learn to sympathize with the antagonist haunted by his own transgressions with the main theme being legacy and your relationship with your culture and the baggage it brings. But the journey is a complete disaster. Part of it works solely because the characters absolutely Refuse to make a plan and the other - because the main character has a blunt head trauma. Maybe it's related. Maybe it's all a mass hallucination. I may try to elaborate on how it's absolutely ridiculous how little the inquisition and the politics have any impact in this game yet somehow 8 people squatting in the Fade with no political affiliations are held responsible for providing for every faction they come across. I won't even try to make sense of it. It's the usual case of "the main character does everything".

The direction is not only absent in the writing. Some lines that are ok in text delivered in such a way you may think they were allowed only to use the very first take.

The music is absolutely forgettable. Also the odd riff during the dramatic reveal absolutely took me out because I thought I heard kazoo (but I bet Varric would love it).

The visuals are.. Ok. It's pretty on the first glance but the more you travel the more you realize that the general design of the locations are kinda lacking. They have this weird gradient that makes everything a little bit more unfocused and a bit washed out. There are also too many cases of the horisont just drowning in the fog. Air perspective is great and it suits locations like Necropolis, but I would argue that these establishing shots should be used for environmental storytelling in other places, with some focal points in the background, like during the final mission where you see the world absolutely drowning in the blight, devouring local statue of liberty. Or the dead Titan. Or the first shot of the Veil jumper forest (I forgot how it's called) where you see the ruins going into he sky. But because of the fog (or sometimes darkness) it feels like the game is more interested in cheating the optimisation than to hint on the bigger picture (like the chantry and the gallows buildings that you can see almost from all locations in DA2 or the andrastian/dread wolf imagery of inquisition)

So, in conclusion. Not the worst game I played, yet disappointing, even if we pretend it's not an installment of a beloved franchise that people were waiting for 10 years.

Ps. Also making such a game with nerfing all the lore only to nuke all the legacy locations is a choice I won't ever understand. It's like it is not for the fans and it's not for the new people but a secret third thing.

[rawbin-hsr]

Hi! Could i request Feixiao, Boothill, and Argenti with a s/o who has panic disorder (or panic attacks in general). Just generally how they react and such :)

@dragon-anon

A/N: Surprisingly I found this a little difficult IUESJhief I have a lot of experience with. having anxiety when I was younger. I think I was even diagnosed with it at some point ? Which is weird because I’m not diagnosed any longer and I no longer really get anxiety attacks so idk what the fuck that was erm. Anyways that’s beside the point. I really struggled to make Feixiao and Argenti different because I think they would handle it similarly (hence why Argenti’s part ended up so much shorter than the other two, cause I didn’t want to just. Repeat Feixiao’s whole part.) and I’m a little worried Boothill is ooc because I haven’t done the new quest and it seems like it showed a lot of his backstory so forgive me if I’m not up to date on that. Sorry about rambling I’ll get on with it now help

Reader has an anxiety disorder

Characters: Feixiao, Boothill, Argenti

Cw: anxiety/panic attacks (descriptions kept brief, not very detailed), slight mention of self-harm inflicting behaviours in Argenti's part (only reader unintentionally scratching themself, not necessarily done out of a desire to harm oneself).

Lmk if there's anything else I should add !

────── ⋆⋅☆⋅⋆ ──────

╭──────────.★..─╮ Feixiao ╰─..★.──────────╯

Oh she’s great 

Amazing at picking up your signals, amazing at assessing what course of action would help you most, amazing at following through with it

She can tell what sets you off, even without you telling her, and she has a lot of firsthand experience with handling other people’s anxiety (both from more intimate relationships and from soldiers she doesn’t exactly know on any personal level). It’s not hard for her to figure out what calms you down most quickly. 

Your episodes have never been shorter than they are with her around 🙏🙏

I’m not sure exactly how I imagine her handling it, because I think it switches a lot depending on what she knows about you. If she knows you find physical touch comforting, she’ll hold you and gently talk you down. If you’re the type who doesn’t need much reassurance, she’ll firmly remind you of where you are, that she’s with you, that you’re safe, etc, etc. She’ll find whatever solution works best for you. 

Apart from being great with damage control if you do have a panic attack, she’s also pretty good at preventing them from happening in the first place. 

If she recognises you’re stepping into an environment you’re likely to have an attack in, she’ll either steer you out of it if she can or she’ll make sure you’re in there for as little time as possible. Like, for example, if you’re bad with large crowds, she’ll usually just find a less packed road to take around the mass of people.

Obviously it’s unavoidable sometimes, and she won’t always be able to adhere to you completely because she does have a very important job that she can’t really put on hold for your sake, but like I said, she’s great at handling it then too. 

If something needs to be done but you can’t do it, she’ll do it for you (after gently trying to encourage you to face your fears and do it yourself — but she does quickly relent if she notices you really, really don’t want to)

10/10 would recommend she’s amazing

╭──────────.★..─╮ Boothill ╰─..★.──────────╯

I feel like Boothill would be absolutely dogwater at preventing any anxiety attacks from happening, but he’d be great at stopping them once they do happen

Like obviously he won’t trigger you on purpose but he won’t tiptoe around the things that put you off either. Both because he doesn’t usually have much choice in the matter considering his line of work, and because he believes in exposure therapy. And because he maybe sort of kind of forgets. 😭

But he’d be great while you’re in the middle of an anxiety attack ! So that counts for something !!!!

He always manages to snap you out of it pretty quickly. Takes you out of the situation once he recognises the signs that the attack is coming, then gets you present in the current moment again. How ? That’s very simple. He confuses the fuck out of you

You know that tip about making someone having an anxiety attack bite into a lemon ? Yeah

(If you haven’t heard about it: a way to snap someone out of a panic/anxiety attack can be to make them lick a really sour lemon without any warning. The sensory input is really overwhelming and the person having the episode might be so shocked by it they kind of just snap out of it because who the fuck makes you taste a lemon when you’re at your lowest like that ???)

You’re curled up in a ball, hyperventilating because there are too many people, too many sounds, too many what-have-you ? Not anymore, now you’re too busy being confused and lowkey angry at him for shoving an ice cube down your throat. Like wtf are you doing my guy

Usually his little stunts do the trick to get you out of that headspace, and then he can just verbally talk you down so you’re nice and calm again. Will let you cool off while he solves whatever issue it was that led to your anxiety attack. Don’t worry about it anymore, he’s got this. 

If he can’t confuse you out of it, though, he’ll just do whatever you’ve instructed him to do while lucid. If it’s hugging you and talking gently until you’re calm, he can do that. If it’s to just take you into a quiet space and let you ride it out, no problem. If it’s to just continue on and let you just stand next to him, sure. 

Only thing he won’t do is to avoid your triggers altogether. He can give you a heads-up when possible, he can let you sit it out if you really need to, but he won’t (in his words) “baby you”. In his opinion, you’ll never get over it if you just avoid it forever. 

He says it in a kind of harsh way, but there’s genuine care in his tone and his expression, so you know he doesn’t mean it like that. 

All in all I think Boothill is really great if you’re the resilient type and you have the kind of anxiety that can actually get better through treatment, but if you’re sensitive and need someone who actively helps you avoid your triggers I definitely wouldn’t recommend him 😭

╭──────────.★..─╮ Argenti ╰─..★.──────────╯

Obviously amazing at handling it is there anything he’s not good at ? 🙄 (/j)

He immediately becomes very serious when he realises your control is slipping, falls silent and looks at you worriedly. He recognises surprisingly quickly what’s happening, and steps into your field of view and crouches down, makes sure you can see his face. Takes both of your hands in his, wishes he didn’t have armour so he could let you feel his heartbeat.

He calmly talks you out of it. He sounds so sure of everything he does, to a point where you’ll question afterwards if he has firsthand experience with this. 

(He does. He used to experience a lot of anxiety and panic attacks as a child, it is only natural when you grow up surrounded by war; you’d never guess just looking at him now, though.)

He’ll obviously switch how he handles your panic attacks if you ask him to, but his default is to hold your hands (both to prevent you from accidentally scratching yourself, and to remind you he’s there) and to softly reassure you

I think he becomes sort of hyper aware of what triggers you, and does as much as he can to avoid it. Lowkey starts to baby you a little, but just a little, and even if it’s annoying it’s done with love, done out of a desire for you to be happy. It does put him in some tough spots though, considering it means he sometimes tells you to sit an adventure out, but the plan was for it to have the both of you and it’s harder to handle a lot of things alone 😭

Overall super good though I love him <3

────── ⋆⋅☆⋅⋆ ──────

My inbox is open, feel free to send in asks or requests, I'd love to ramble about things <3

[lcatala]

That thing in D Gray Man where the protagonist started with a pretty harrowing tragic backstory only for the story to much later reveal that a lot of that backstory was false memories and that his actual tragic backstory is so much worse.

It's actually kind of impressive how nearly every extended route in The Pristine Cut manages to be more fucked up than the old route it's supplementing. Like, yes, bad-ending variants of existing happy endings, that's expected, but taking endings where you literally get blown up and making them worse is a feat.

[stxrslut]

HUMILIATED 𖤍

summary; when rafe gets with you as a barrier to stand between the tension that stands in stone between him and his drug dealer, but the moment barry realises what he's doing, he takes it to his utmost advantage and uses you to prove to rafe that he will never be anything other than pathetic to him  

content; rafebarry x reader, dubcon, ass eating, use of weed, “bitch” is used in a derogatory way towards reader

rafe cameron is a pathetic man. there’s no doubt about it, anyone who’s ever met him has found it out in some way or another. you’d been told this when he started going after you, and to your dismay, you’d ignored it. you’d had no idea that rafe had alternate motivations when he began pursuing you, but you were ever so wrong. 

maybe one month ago, more or less, there had been a rather monumental night. rafe and barry, up late, smoking, had fucked. it was quick and rushed and sweaty and gross. and then rafe had run for the hills, never to acknowledge the night again, or so he thought. 

overcome by a mountain of emotions and complicated thought processes, he’d done everything possible to distract himself, starting with a few hookups, and then a relationship with you. 

you do the job well enough for him, but even so the dealer is always somewhere in his mind. you notice sometimes when you’re having sex that he just disassociates, but you’re not sure what he’s thinking of, maybe that’s just how he is in bed. 

whilst you’re not aware of all of the backstory behind them, you know something is up with rafe and barry. when you tag along with rafe on his weekly visits the tension between them is tangible. barry always remains stony faced,rafe always looks similar to a prey animal, scared, skittish, ready to run or play a defence. you quickly become aware that you are his defence. 

rafe takes you there to try and intimidate him. to try and show him, to send a message that says “I don’t need you.” 

tonight is one of those nights. you are sat cross legged on one of the two couches on barry’s front porch. you feel rather uncomfortable. 

the two men are smoking weed, each of them have their own joint, because apparently sharing doesn’t happen anymore. rafe occasionally offers you a drag, which you occasionally take, but you think if you got high, the tension in the air would make you puke. it might make you puke anyway. 

nobody has said anything for over five minutes. you decide to crawl into rafe’s lap, for some comfort, retreat, maybe just to make him break this deafening silence. 

rafe lets you take a place straddling his lap, you wriggle down there to get comfortable before you rest your head on his chest. to your absolute disappointment, the silence continues. 

another ten minutes, maybe fifteen, you can’t keep count. you hear the moving of cushions from behind you, barry must be changing the position that he’s sitting in. 

looking up, you see rafe’s jaw ticking in supposed frustration. you can tell that the thoughts are rushing around behind his eyes before his gaze hardens and he looks back down to you. 

without speaking, his hand cups the back of your head and he pulls you up to lock lips with him. the kiss is sudden and a little too intense for the context, being that his drug dealer is watching it happen. 

there’s really not a way for you to protest and this does help occupy the quiet and awkward just a little bit so you don’t. along with you not protesting, it escalates just a little bit. a lot actually, within minutes you’re humping on his bulge. 

your mouth no longer on his lips and now on his neck, you can see his face just a little bit. he’s staring right at barry, not looking away, not blinking. his only acknowledgement of you is the hand on your lower back, guiding your movements just a little bit. 

you think maybe you should just stop, walk home without him and escape this turmoil of looks and telepathic communications you can’t tap in on. but something else happens before you can act on it. 

you don’t see it coming, so it takes you by surprise when barry’s firm pair of hands pull you back to stand up against him. 

“fuckin’ done with this.” he grumbles, but he’s not speaking to you, he’s speaking to rafe, who’s face you can now see is bright red, eyes wide and lips parted. “you think you’re such a tough guy huh? nah. we’re not doin’ this no more. you wanna fuckin’ show off your girl like that makes you better. huh?” 

he yells, pushing you aside but blocking you in, as he goes down to rafe’s level. you watch in shock as he leans forward and grabs rafe by the collar. then he pushes him down to lay on his stomach on the couch, making his cheek smush up against a pillow that probably smells of mould. 

once rafe’s pants are pulled down and his ass is revealed to the cold evening air, barry grabs you once more, forming a ponytail in your hair to keep a firm hold of you. 

his mouth comes up close to your ear, “you think your man’s tough huh? nah. gonna show you what a fuckin’ pathetic little son of a bitch he is.” the dealer's words are driven by an anger that you are not sure the origin of. 

you have to avoid yelping when suddenly you’re pushed to your knees and your face is inches away from his ass. you can guess now what you’re about to do. 

hand still on your head, barry levels his face with rafe now, “feel like a big guy now rafe? do you feel good?” 

and then your face is shoved down. your mouth immediately comes into contact with his asshole. by default, you begin to move a little, parting your lips and tonguing at it. barry chuckles, “this girl knows what to do, doesn't she? you got her trained rafe? you like having your ass ate?” 

rafe whimpers. he feels humiliated, this is not the reason he ever dated you. he dated you for confidence in himself, not whatever the fuck this is. 

unfortunately, for him that is, pleasure is there too, and he can’t resist reacting to it. his ass shifts upwards to accommodate the boner that was pressing into the couch uncomfortably. 

the sounds he’s making are oh so pathetic, whimpers and whines and little begs to barry to stop this. he doesn’t stop though. 

even when you come up for a breath of air you’re swiftly pushed right back down by his firm hand, “keep goin’ bitch. I didn’t tell you to stop.” 

after chastising you, barry turns to rafe with a clear sense of what he’s about to do. “look at you. fuckin’ pathetic. never gonna be the big man you think you are rafe cameron.” 

it takes just a few more seconds and then rafe cries out embarrassingly loud. “mmh- fuck. get her off o’me.. stop it.” tears are falling down his cheeks while he feels nothing but humiliation at what he’s doing. 

barry does pull you away, pushing you aside, but only after he’s sure that rafe has endured every last second of his orgasm. 

you move up to sit on the floor two feet away, eyes fixated on the two. rafe is breathless, body limp on the couch, cheeks red and tearstained. his eyes bore into barry’s, it’s like they’re speaking in their heads again. whatever the fuck has happened between these two, you just hope to god you don’t have to stay a part of it.

[nelkenbabe]

what i think is fun about emmrich is that a lot of the companions in previous games kinda sorta had a death wish to varying degrees

zevran admits to it outright after building enough approval, leliana certainly was messed up over things. you can't tell me anders didn't feel like giving up sometimes, blackwall certainly thought of ending it all, whatever. we've had a lot of companions with immensely tragic backstories that alluded to them struggling with their will to live, and then we have emmrich, who is deadly afraid of dying.

for a mortalitasi, i think that is such a fun subversion. it surprised me, especially finding out that he was orphaned at a young age. he is still a somewhat tragic companion - but more so in terms that remind me of greek and roman legends. the man who worked to beat death!